Manton Heights Court
In September 2026, My HomeCourt and Providence Housing Authority unveiled a newly refurbished court, Joy in Noticing, at Manton Heights in Providence’s Olneyville neighborhood. The renovated basketball court features a large-scale mural designed by Providence-based artist Alyssa Barnes.
Meet the Artist
The 2026 basketball court features a commissioned court mural by artist Alyssa Barnes.
Based in Providence, Alyssa Barnes is a collage artist, designer, and former collegiate athlete working across art, sport, and community. Her practice explores recreation as a creative act, bringing the spirit of play to the reimagining of materials, images, ideas, and public spaces.
Alyssa has spent more than a decade creating at the intersection of art and sport. Through her work with Project Backboard, she has helped transform public basketball courts into places for play, gathering, and connection, working on projects with contemporary artists and athletes including Paige Bueckers and A’ja Wilson.
Her broader career spans creative direction, design, and storytelling across sport and culture. She has led global sport and lifestyle work for brands including Converse, Nike, and ASICS.
For the 2026 My HomeCourt project with Providence Housing Authority, Alyssa brought those experiences together in the city she now calls home.
The Design
Joy in Noticing draws on Ross Gay’s The Book of Delights and his essay “Flower in the Curb,” which encourages finding joy in small things we might otherwise overlook.
An oversized floral bloom anchors layered, imperfect forms and expressive color, while four quiet phrases, developed in collaboration with Manton Heights residents, are hidden across the court, each an invitation to notice the simple delights that surround us. In this work, Barnes provides an opportunity to unlock meaning in each of the discrete elements, encouraging players and casual observers alike to slow down, notice, and discover.
The mural is crowned by radiating torn paper forms that represent both sun rays and moments of illumination and discovery. The imperfect circles represent seeds which are collected, planted, and nurtured, much like ideas.
The layered paper forms throughout the design reference collage as a way of bringing together fragments of landscape, community, memory, and nature. The torn page numbered “9” is a nod to the page in Ross Gay’s book where the essay appears.
The words “Look slowly” along the undulating black line serve as an invitation and a pathway onto the court. The organic nature of the line implies expressive movement while also forming an “M” for Manton.
“For those who come here to play, my hope is that this court inspires curiosity, cultivates the practice of noticing, and encourages people to carry both beyond the court and into their everyday lives. There is so much joy and beauty to be found in the things that are often overlooked if we simply remember to take the time to slow down and notice.”
Alyssa Barnes
In addition to the mural, Barnes created a custom basketball and participant engagement zine, each designed to draw the community into deeper levels of play and observation. The custom basketball takes key elements from the court and backboard design and wraps them into a playable surface complete with invitations to observe. The engagement zine is inspired by Corita Kent’s work with the Irregular Bulletin and Austin Kleon’s DIY zines and is meant to be a pocket-sized field guide to noticing.
Image Gallery
The Team
Special thanks to Providence Housing Authority for the opportunity to work on this project and to their leadership team for all of their work to bring this project to fruition.
And special thanks to the crew of talent that made this court possible:
Installation team:
Greg Pennisten
Ryan Richardson
James Mustin
Nova Sports USA
JG Coffey
Graphic Innovations
TrueBounce
Chris Gabble, Drone Operator
Print Club Ltd.
Julia Canuel
Steph Grossi
Laury Pérez
Dorian Epps and the RISD Balls
Rob Chron, MHC Project Manager